Tom Cruise Profile
Posted on Jan 13, 2008 under Actor |An actor whose name has become synonymous with all-American testosterone-driven entertainment, Tom Cruise spent the 1980s as one of Hollywood’s brightest-shining golden boys. With black hair, blue eyes, and unabashed cockiness, Cruise rode high on such hits as Top Gun and Rain Man. Although his popularity dimmed slightly in the early ’90s, he was able to bounce back with a string of hits that re-established him as both an action hero and, in the case of Jerry Maguire and Magnolia, a talented actor.
Born Thomas Cruise Mapother IV on July 3, 1962, in Syracuse, NY, Cruise led a peripatetic existence as a child, moving from town to town with his rootless family. A high-school wrestler, Cruise went into acting after being sidelined by a knee injury. This new activity served a dual purpose: performing satiated Cruise’s need for attention, while the memorization aspect of acting helped him come to grips with his dyslexia.
Moving to New York in 1980, Cruise held down odd jobs until getting his first movie break in Endless Love (1981). His first big hit was Risky Business (1982), in which he entered movie-trivia infamy with the scene wherein he celebrates his parents’ absence by dancing around the living room in his underwear. The Hollywood press corps began touting Cruise as one of the “Brat Pack,” a group of twentysomething actors who seemed on the verge of taking over the movie industry in the early ’80s. But Cruise chose not to play the sort of teen-angst roles that the other Brat Packers specialized in — a wise decision, in that he has sustained his stardom while many of his contemporaries have fallen by the wayside or retreated into direct-to-video cheapies.
Top Gun (1985) established Cruise as an action star, but again he refused to be pigeonholed, and followed up Top Gun with a solid characterization of a fledgling pool shark in The Color of Money (1986), the film that earned co-star Paul Newman an Academy Award. In 1988, Cruise took on one of his most challenging assignments, as the brother of an autistic savant played by Dustin Hoffman in Rain Man. “Old” Hollywood chose to give all the credit for that film’s success to Hoffman, but a closer look at Rain Man reveals that Cruise is the true central character in the film, the one who “grows” in humanity and maturity while Hoffman’s character, though brilliantly portrayed, remains the same.
In 1989, Cruise was finally given an opportunity to carry a major dramatic film without an older established star in tow. As paraplegic Vietnam vet Ron Kovic in Born on the Fourth of July (1989), Cruise delivered perhaps his most outstanding performance. Cruise’s bankability faltered a bit with the expensive disappointment Far and Away in 1990 (though it did give him a chance to co-star with his-then wife Nicole Kidman), but with A Few Good Men (1992), Cruise was back in form. In 1994, Cruise appeared as the vampire Lestat in the long-delayed film adaptation of the Anne Rice novel -Interview with the Vampire. Although she was vehemently opposed to Cruise’s casting, Rice reversed her decision upon seeing the actor’s performance.
In 1996, Cruise scored financial success with the big-budget actioner Mission: Impossible, but it was with his multilayered, Oscar-nominated performance in Jerry Maguire (also 1996) that Cruise proved once again why he is considered a major Hollywood player. 1999 saw Cruise reunited onscreen with Kidman in a project of a very different sort, Stanley Kubrick’s Eyes Wide Shut. The film, which was the director’s last, had been the subject of controversy, rumor, and speculation since it began filming. It opened to curious critics and audiences alike across the nation, and was met with a violently mixed response. However, it allowed Cruise to once again take part in film history, further solidifying his position as one of Hollywood’s most well-placed movers and shakers.
Cruise’s enviable position was again solidified later in 1999, when he earned a Best Supporting Actor nomination for his role as a loathsome “sexual prowess” guru in Paul Thomas Anderson’s Magnolia. In 2000, he scored again when he reprised his role as international agent Ethan Hunt in John Woo’s Mission: Impossible II, which proved to be one of the summer’s first big moneymakers. His status as a full-blown star of impressive dramatic range now cemented in the eyes of both longtime fans and detractors, the popular actor next set his sights on reteaming with Jerry Maguire director Cameron Crowe for a remake of Spanish director Alejandro Amen醔ar’s (The Others) Abre los Ojos titled Vanilla Sky. Though Vanilla Sky’s sometimes surreal trappings found the film recieving a mixed reception at the box office, the same could not be said for the following year’s massively successful sci-fi chase film Minority Report. Based on a short story by science fiction writer Philip K. Dick and directed by none other than Steven Spielberg, Minority Report scored a direct hit at the box office, and Cruise could next be seen gearing up for his role in Edward Zwick’s The Last Samurai alongside Ken Watanabe, who was nominated for an Oscar for his performance.
For his next film, Cruise picked a role unlike any he’d ever played; starring as a sociopathic hitman in the Michael Mann psychological thriller Collateral. He received major praise for his departure from the good-guy characters he’d built his career on, and for doing so convincingly. By 2005, he teamed up with Steven Spielberg again for the second time in three years with an epic adaptation of the H.G. Wells alien invasion story War of the Worlds.
The summer blockbuster was regarded as a good popcorn film, but was in some ways overshadowed by the negative publicity that Cruise had been gathering. It began in 2005, when Cruise became suddenly vocal about his beliefs in the principles of Scientology, the religion created by science fiction author L. Ron Hubbard. Cruise publicly denounced actress Brooke Shields for taking medication in order to combat her postpartum depression, citing antidepressants and the psychological sciences as immoral and unnecessary, going so far as to call it a “Nazi science” in an Entertainment Weekly interview. On June 24, 2005, he was interviewed by Matt Lauer for The Today Show during which time he appeared to be distractingly excitable and argumentative in his insistence that psychiatry is a “pseudoscience,” and in a Der Spiegel interview, he was quoted as saying that Scientology has the only successful drug rehabilitation program in the world.
This behavior caused a stirring of public opinion about Cruise, as did his relationship with 27-year-old actress Katie Holmes. The two announced their engagement in the spring of 2005, and Cruise’s enthusiasm for his new romantic interest created more curiosity about his mental stability. He appeared on The Oprah Winfrey Show on May 23, where he jumped up and down on the couch during his interview, professing his love for Holmes. He also ecstatically shook Winfrey’s hands and at one point fell dramatically to one knee. The actor’s newly outspoken attitude about Scientology linked intimately to the buzz surrounding his new relationship, as Holmes converted to the faith despite a lifelong adherence to Catholicism. The media was flooded with a rumor that the young actress had a “lost” period around this time, when for two weeks she was unreachable to her parents, friends, and extended family. Many suspected that Cruise’s strange public behavior was nothing more than a failed publicity stunt to raise interest in War of the Worlds, a general attitude that continued through October 2005, when he and Holmes announced that she was pregnant.
Some audiences found Cruise’s ultra-enthusiastic behavior refreshing, but for the most part, the actor’s new public image hurt his fan base, as he alienated many of his viewers. As he geared up for the spring 2006 release of Mission: Impossible III, his ability to sell a film based almost purely on his own likability was in question for the first time in 20 years. Despite a cast that boasted such names as Philip Seymour Hoffman and Jonathan Rhys-Meyers, curiosity about the film’s success seemed to hinge solely on Cruise’s controversial personal life. The movie ended up performing essentially as expected, despite lining up almost conspicuously with the birth of he and Holmes’ daughter Suri in spring of 2006.
The media frenzy that followed the pregnancy and birth were no less involved. There were whispers of dangerous or inadvisable methods of childcare and feeding, rumors that the Scientology endorsed method for birthing demands complete silence from everyone — including the mother — and questions about what kind of access to medical care and pain medicine Holmes would have in accordance with the practices of Scientology. Holmes said little publicly of her new relationship, religion, or role as a mother, but Cruise insisted in interviews that the process of the “silent birth” demands others in the room be quiet, but not the mother.
Even after the child was born, controversy surrounded the name that the couple chose for her, as Cruise’s public statement claimed the name Suri was chosen because it means “princess” in Hebrew and “red rose” in Persian, while experts on both languages insisted that this was not accurate. Scholars and speakers of the languages in question said that in Persian (conventionally known as Farsi) the word denotes the color red but has no connection whatsoever to roses, while in Hebrew, the closest connection it bears to its claimed origin is that the Jews of Eastern Europe use it as a nickname for the name Sarah, and that in ancient Hebrew Sarah is the feminine form of the word Lord. After the birth, the couple finally set their wedding date, planning to hold the event in early July.
Cruise next made headlines on a business front, when — in November 2006 — he and corporate partner Paula Wagner (the twin forces behind the lucrative Cruise-Wagner Productions, est. 1993) officially “took over” the defunct United Artists studio. Originally founded by such giants as Douglas Fairbanks and Charles Chaplin in 1921, UA was run into extinction after the Heaven’s Gate fiasco in the early ’80s and its purchase by Transamerica’s Kirk Kerkorian. The press announced that Cruise and Wagner would “revive” the studio, with Wagner serving as Chief Executive Officer and Cruise starring in and producing projects. MGM (UA’s parent company) handed the team the rights to almost single-handedly develop United’s production slate, and gave them an allotment of four films per year, a number expected to dramatically increase. Harry Sloan, the chairman of MGM, remarked in a press release, “Partnering with Tom Cruise and Paula Wagner, we have the ideal creative foundation from which to reintroduce the United Artists brand. United Artists is once again the haven for independent filmmakers and a vital resource in developing quality filmed entertainment consistent with MGM’s modern studio model.”
