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Naomi Watts’ Family Photo Album Moment

While she was busy attending the Sony Tropfest on Sunday, Naomi Watts took time on Monday to introduce her 7 month old baby Alexander Pete to the warm waters of Bondi Beach.

On a windy day with a grey sky overhead, the Hollywood actress “was the picture perfect image of a contented mother as she cuddled and kissed her son and dipped his little feet in the ocean,” a spectator tells.

According to Daily Telegraph reports, “While local paparazzi had a field day capturing the intimate scene, Watts didn’t waste the opportunity to record her son’s first Aussie beach outing for the family photo album - posing for shots as a woman, presumed to be a nanny, snapped away.”

The beach adventure followed a morning full of property viewing, as Naomi and her actor/husband Liev Schreiber have recently relocated to Sydney for several months in “a bid to incorporate the Australian lifestyle and culture into Alexander’s childhood.”
 

Josh Hartnett’s Rumer romance

Josh Hartnett and Rumer Willis have been getting “pretty cosy”.

The 29-year-old actor was seen hanging out with Bruce Willis’ eldest daughter Rumer, 19, at trendy New York club The Beatrice Inn over the weekend.

A source at the club told National Enquirer magazine: “Josh and Rumer were hanging out all night. They definitely seemed to be getting pretty cosy!”

After drinking, dancing and laughing together, the pair left the club at the same time.

Josh - who has been romantically linked to Kirsten Dunst, Scarlett Johansson and Rihanna - recently revealed he has a soft spot for British women.

He said: “You know what? I’m really attracted to British women, there’s something innately proper about them. However badly they behave their accent is so cute that it makes up for everything!”

Rumer has most recently been linked to Good Charlotte star Benji Madden and British actor Ravi Gavron.

Juliette Binoche

An international star of extraordinary, almost otherworldly beauty, French actress Juliette Binoche was born March 9, 1964, in Paris. The daughter of a sculptor/theater director and an actress, Binoche studied acting at the National School of Dramatic Art of Paris. After graduation, she followed in her mother’s footsteps and became a stage actress, occasionally taking small parts in French feature films. Binoche first earned recognition in 1985 for playing a modernized, teenaged version of the Virgin Mary in Jean-Luc Godard’s controversial Je Vous Salue, Marie (Hail Mary). The actress became a bona fide French star the same year with an acclaimed performance in Andr? T?chin?’s Rendez-Vous. Though she was the darling of the 1985 Cannes Film Festival, Binoche did not gain true international acclaim until she played Tereza in Philip Kaufman’s The Unbearable Lightness of Being in 1988.

In the meantime, Binoche become involved with Leos Carax, a then-hot young filmmaker who cast her in a lead role in his chilling Mauvais Sang (Bad Blood). While involved with Carax, Binoche appeared in his Les Amants du Pont-Neuf (Lovers on the Bridge), a film they began in 1988 but did not finish until 1991 due to financial difficulties. She and Carax parted ways two years later after Binoche’s great success starring opposite Jeremy Irons in Louis Malle’s Damage (1992). The same year, the actress appeared with future English Patient co-star Ralph Fiennes in a new film version of Wuthering Heights, and followed that with the lead role in Krzysztof Kieslowski’s Blue (1993). (She also appeared briefly in the trilogy’s other installments, Red and White.)

Following her work in that acclaimed film, Binoche took time off to have a son and did not return to her career until 1995 with Le Hussard sur le Toit (The Horseman on the Roof). In 1996, Binoche earned further international recognition with a Best Supporting Actress Oscar (as well as a host of other awards) for her role in The English Patient. Returning to her native France amidst a golden haze of critical acclaim, Binoche appeared in the same year’s Un Divan ? New York (A Couch in New York), a romantic comedy in which she starred opposite William Hurt. In 1998, she again collaborated with director T?chin?, this time on the romantic drama Alice et Martin.

Revered as near royalty by the French press (who often simply refer to her as “La Binoche”) and a beloved star worldwide, Binoche’s remarkable second wind found her popularity soaring and her screen presence more powerful than ever. Binoche’s daring and intense performance as 19th-century literary icon George Sand in the misguided drama The Children of the Century (1999) indeed impressed audiences and critics, though the film itself failed to live up to expectations. Of course, it wouldn’t take long before Binoche was cast in a film whose quality would match her ample talent, and The Widow of Saint-Pierre (2000) would serve as just that cinematic endeavor. Not only did the redemption-themed drama perform smashingly at the international box office, but it also found its star honored with a C?sar nomination for Best Actress.

A collaboration with notorious feel-bad filmmaker Michael Haneke resulted in the intersecting lives drama Code Unknown (2000), though that role was ultimately overshadowed by Binoche’s captivating performance in that same year’s arthouse hit Chocolat. Cast opposite Johnny Depp as the free-spirited owner of a chocolate shop located in a small French town, the dedicated actress actually prepared for the role by learning to make chocolate at a popular Paris sweetshop. The film was an international runaway hit, and the beloved starlet was nominated for best actress awards across the globe. Following a lighthearted performance opposite French icon Jean Reno in the romantic comedy Jet Lag (2002), Binoche appeared with American star Samuel L. Jackson in director John Boorman’s politically oriented drama Country of My Skull in 2004. Binoche maintained her status as one of the most respected actresses in the world by appearing in the well-regarded thriller Cache. She also co-starred with Richard Gere in the drama Bee Season. In 2006 she would appear alongside other stars as Jude Law, Robin Wirght Penn, and Ray Winstone in Anthony Minghella’s drama Breaking & Entering.

Rachel Bilson Profile

Rachel Bilson was born August 25, 1981, in Los Angeles. Interested in acting since she was a little girl, she started working at age 7. After various theater roles in plays such as Bye Bye Birdie, The Crucible, and Once Upon a Mattress, the actress made the jump to television. She appeared in series such as 8 Simple Rules for Dating My Teenage Daughter and Buffy the Vampire Slayer. Bilson’s vibrant personality and good looks made her an obvious choice to join the cast of The O.C. in 2003.

The actress has a passion for basketball, likes to collect vintage shoes and purses, and is a spokesperson for Bongo jeans. She has been linked to her O.C. co-star Adam Brody.

Coming from a long line of filmmakers going back to her great-grandparents producer George Bilson and writer Hattie Bilson, Rachel Bilson rose to fame almost immediately after entering the acting game. After only a handful of TV guest roles, she landed a recurring part on Fox’s hit teen soap The O.C. in 2003 and was soon bumped up to regular cast member. In 2006, Bilson parlayed her small-screen success to the female lead opposite Zach Braff in the romantic drama The Last Kiss.

Leslie Bibb

Actress and former model Leslie Bibb was born on November 17, 1974, in Bismarck, North Dakota, but moved to Nelson County, Virginia. ‘The Bibbster’ graduated from St. Gertrude’s Catholic High School and also attended the University of Virginia. After her junior year Leslie went to New York City, where she signed a contract with Elite modeling agency, and some of her photographs appeared in Maxim and FHM magazines. She made her feature film debut in the 1997 as a NBC tour guide in Howard Stern bio-comedy “Private Parts” and had small roles in the movies “The Skulls” and “See Spot Run.” Leslie is best known for her 2006 role as Carley Bobby in the Will Farrell comedy “Talladega Nights: The Ballad of Ricky Bobby.” The green-eyed beauty lives in Los Angeles with her two dogs, Harley and Jack, and when she’s not working, Leslie enjoys tennis, swimming, hiking and mountain biking. She also volunteers at a theater workshop with young delinquents through a group named “The Unusual Suspects.”

Model-turned-actress Leslie Bibb grew up in Virginia, well outside the realm of showbusiness, with plans to tackle a legal career. She embarked on the road to celebrity, however (and achieved an incredible break), in 1990, when the then-16-year-old’s mother submitted Leslie’s photograph to a nationwide model search that Oprah Winfrey mounted; the judges ferreted Bibb out of more than 6,000 candidates and handed her a succession of print and runway assignments around the globe. After extensive dramatic training, the young woman moved to Los Angeles and ascended to stardom via a regular role as high-school princess Brooke McQueen on the WB series Popular. She doubled it up with movie roles in such feature outings as See Spot Run (2001), Wristcutters: A Love Story (2006), and Talladega Nights: The Ballad of Ricky Bobby (2006, as Will Ferrell’s gold-digging wife), as well as a recurring parts on ER (2002-2003), as Erin Harkins, and Crossing Jordan, as Tallulah “Lu” Simmons (2005-2007). In 2007, Bibb signed on to play the female lead in Ryuhei Kitamura’s serial killer-themed horror saga The Midnight Meat Train (2008).

Halle Berry Biography

A woman whose combination of talent, tenacity, and beauty has made her one of Hollywood’s busiest actors, Halle Berry has enjoyed a level of success that has come from years of hard work and her share of career pitfalls.

Berry’s interest in show business came courtesy of her participation in a number of beauty pageants throughout her teens, including the 1986 Miss U.S.A. Pageant. A native of Cleveland, OH, where she was born to an African-American father and white mother on August 14, 1968, Berry was raised by her mother, a psychiatric nurse, following her parents’ divorce. At the age of 17, she appeared in the spotlight for the first time as the winner of the Miss Teen All-American Pageant, and subsequently became a model. Berry won her first professional acting gig on the TV series Living Dolls, and then appeared on Knots Landing before winning her first big-screen role in Spike Lee’s Jungle Fever. It was on the set of the film that she first earned her reputation for her full commitment to acting, reportedly refusing to bathe for weeks in preparation for her portrayal of a crack addict.

Following her film debut, Berry was cast opposite Eddie Murphy in Boomerang (1992) as the comedian’s love interest; not only did she hold her own against Murphy, but the same year she did acclaimed work in the title role of the Alex Haley miniseries Queen, playing a young woman struggling against the brutal conditions of slavery.

After a comedic turn as sultry secretary Sharon Stone in the 1994 live-action version of The Flintstones, Berry returned to more serious fare with her role in the adoption drama Losing Isaiah (1995). Starring opposite Jessica Lange as a former crack addict battling to win custody of her child, who as a baby was adopted by an affluent white couple, Berry earned a mixed reception from critics, some of whom noted that her scenes with Lange highlighted Berry’s own shortcomings.

However, critical opinion of the actress’ work was overwhelmingly favorable in 1998, when she starred as a street smart young woman who comes to the aid of a bumbling politician in Warren Beatty’s Bullworth. The following year, Berry won even greater acclaim — and an Emmy and Golden Globe — for her turn as tragic screen siren Dorothy Dandridge in the made-for-cable Introducing Dorothy Dandridge. Unfortunately, any acclaim Berry enjoyed was overshadowed by her widely publicized brush with the law in February of 2000, when she allegedly ran a red light, slammed into another car, and then left the scene of the accident. The actress, who suffered a gash to her forehead (the driver of the other car sustained a broken wrist), was booked in a misdemeanor court in early April of that year.

Fortunately for Berry, her subsequent onscreen work removed the spotlight from her legal troubles; that same year, she starred as Storm in Bryan Singer’s hugely successful adaptation of The X-Men. Working alongside a cast that included Ian McKellen, Hugh Jackman, Famke Janssen, and Anna Paquin, Berry was hailed for her work as the first African-American comic book heroine on the screen. Acclaim was not quite as forthcoming for her work opposite John Travolta in Dominic Sena’s cheesy thriller Swordfish, which touted itself as the first movie to feature Berry baring her breasts. Unfortunately, it didn’t allow for equal exploitation of the talents that Berry possessed above her collarbone.

Berry again bared more than her character’s inner turmoil in Monster’s Ball (2001), a romantic drama directed by Marc Forster that starred the actress as a woman who becomes involved with a racist ex-prison-guard (Billy Bob Thornton) who oversaw the prison execution of her husband (Sean Combs). Berry earned wide critical praise for her work in the film, as well as Golden Globe and Oscar nominations for Best Actress. And though she may have lost out to Sissy Spacek in the Golden Globes, her night at the Oscars found Berry the favored performer as took home a statue for Best Actress. A momentous footnote in Academy Award history, Berry’s win marked the first time an African American had been bestowed that particular honor.

Although her turn in the James Bond flick Die Another Day was so successful that talk began of a spin-off film, Berry’s first true post-Oscar vehicle Gothika proved to be unpopular with both critics and moviegoers. Luckily, 2003 wasn’t a total loss for her though as X2: X-Men United was a box-office smash and was regarded by many to be superior to its predecessor. Sticking with comic-books as source-material, Berry could be seen in Catwoman the following Summer. The film was the biggest flop of her career, panned by audiences and critics, and earning the actress a coveted Razzie for her terrible performance. She won back a great deal of respect, however, by starring in the made for TV adaptation of the Zora Neale Hurston novel Their Eyes Were Watching God the next year. She followed this moving performance with a return to her X-Men comrades for X-Men: The Last Stand in 2006, then signed on to star alongside a decidedly creepy Bruce Willis in the suspense thriller Perfect Stranger (2007), directed by James Foley. In that film, she portrayed a hard-nosed reporter prone to catching and indicting sleazebags, who becomes unduly implicated with a pathological corporate big wig responsible for murdering his wife (Willis). The film netted mostly negative reviews (one prominent critic branded it as yet another ill-advised choice for Berry), but such comments seemed myopic and ham-handed in retrospect; whatever the strengths and weaknesses of the film per se, the Stranger part in fact represented one of three extremely ambitious assignments in a powerhouse year for Berry that demanded the utmost of the actress’s dramatic abilities: the others included the uplifting psychological drama Things We Lost in the Fire (2007) - as an emotionally shattered housewife, reeling from the tragic violent death of her husband, who finds unlikely solace in a friendship with a recovering heroin addict (Benicio del Toro); and Class Act (2007), as a real-life middle school teacher who runs for Congress at the behest of her students and captures a whopping 35 of the popular vote.

Maria Bello Profile

Born in Pennsylvania c. 1967, Maria Bello attended Villanova University as a political science major, but acting ability - evident from an early drama class - altered her career plans. Following graduation, Bello honed her acting skills in a number of New York theater productions before she broke through to the public as one of the leads in the short-lived TV spy comedy Mr. and Mrs. Smith (1996). Bello gained broader primetime exposure as Dr. Anna Del Amico on NBC’s blockbuster ER during the 1997 season and segued into films with her performance as recovering junkie Ben Stiller’s confidante in the film-a-clef Permanent Midnight (1998), adapted from Jerry Stahl’s harrowing book.

Bello scored her first pop hit as Mel Gibson’s beautiful cohort in the harsh crime drama Payback (1999). Poised to potentially become one of the select group of actors who transition smoothly from television to film, Bello co-starred as one of the bottle-tossing, bar-stomping babes in charge of the titular drinking establishment in the Bruckheimer-produced hellraiser Coyote Ugly (2000).

When Coyote Ugly failed to live up to box office hopes, Bello starred as Suzi Loomis in Bruce Paltrow’s Duets, and as Ruth Harkness in the IMAX feature China: The Panda Adventure (2001), based on her real-life experiences with the eponymous creatures. Bello scored a bona fide critical, if not financial, hit with Paul Schrader’s biopic about slain Hogan’s Heroes star Bob Crane, Auto Focus (2002). As Crane’s co-star and second wife Patricia, Bello holds her own opposite Greg Kinnear’s bravura performance as the nymphomaniacal Crane, evoking the complex emotions of a spouse who accepts yet ultimately cannot contend with her husband’s desires.

A year after Auto Focus, Bello would score even bigger with the critics with a starring role alongside William H. Macy in the gritty Vegas romance The Cooler. As the cocktail waitress who falls for Macy’s sadsack ne’er-do-well, Bello brought a sense of extreme realism to her character. The film netted her a Best Supporting Actress nomination from the Screen Actors Guild and a runner-up prize from The National Society of Film Critics.

In early 2004, Bello appeared as Johnny Depp’s estranged wife in the Stephen King adaptation The Secret Window, and in John Sayles’ well-received political thriller Silver City. Though subsequent appearances in the fairly forgettable Assault on Precinct 13, The Dark, and The Sisters followed in 2005, Bello’s Golden Globe-nommed performance as an unassuming housewife who married into mystery in A History of Violence, coupled with her prominent performance as a determined alcohol lobbyist in the critically-acclaimed Thank You for Smoking, helped to get her back in the good graces of critics and end the year on a decidedly high note.

When 2006 arrived, Bello joined Nicolas Cage, Michael Pena, and Maggie Gyllenhall in World Trade Center, Oliver Stone’s docudrama/survival picture that recounted the experiences of two Port Authority firefighters trapped beneath the rubble of the destroyed buildings. Bello joins the cast of the same year’s Flicka, adapted from the seminal children’s novel by Mary O’Hara (and incarnated decades prior as the movie and TV series My Friend Flicka) , alongside Alison Lohman and country singer Tim McGraw.

Active in social causes as well, Maria Bello co-founded the Harlem not-for-profit arts and education program, Dream Yard Drama Project for Kids.

Anna Belknap Profile

A spunky actress with a winning on-camera presence, Anna Belknap got her start as a guest star on a wealth of popular TV series — everything from Homicide: Life on the Street to Law & Order: SVU to Third Watch — before her establishment as a regular on the short-lived (one-season) shows The Handler and Medical Investigation. She found more enduring success on the popular spin-off series CSI: NY. Her portrayal of Detective Lindsay Monroe, a Midwestern transplant with deep-seated emotional scars from a decade-old mass murder that she just barely survived, imparted Belknap’s scenes with a tense undercurrent even as it spoke to the character’s deeply moving vulnerability. 2005 marked a fortuitous year for Belknap; in addition to joining the CSI program, she signed on as Marissa in Evan Oppenheimer’s gentle, techno-hip romantic comedy Alchemy. Unfortunately, that picture encountered extremely limited theatrical distribution (despite a favorable Variety review) and went almost straight to video.

Kate Beckinsale Profile

First making an impression on international audiences with her role as the sweet, virginal Hero in Kenneth Branagh’s Much Ado About Nothing (1993), pale-skinned, fine-boned British actress Kate Beckinsale has since stepped beyond period pieces to prove that she is anything but a fragile English rose.

The daughter of a BBC casting director and famed television actor Richard Beckinsale (known for roles on Porridge and Rising Damp), Beckinsale was born July 26, 1973. After her father’s death from a heart attack in 1979, the actress was raised by her mother. By her own account, Beckinsale’s childhood and adolescence were fairly troubled, marked by struggles with anorexia. She decided to follow in her father’s acting footsteps while still a teenager and in 1991, had her major television debut in Once Against the Wind, a World War II drama in which she played Judy Davis’ daughter. The same year, Beckinsale enrolled at Oxford, to study French and Russian Literature, and pursued her education until committing herself full-time to acting.

In 1993, while still a student at Oxford, Beckinsale was cast in Branagh’s Much Ado About Nothing. Her supporting role was a memorable one, winning the actress a limited amount of recognition amongst American audiences, but it was not until 1995, when she starred in John Schlesinger’s adaptation of Stella Gibbons’ -Cold Comfort Farm, that her wattage began to increase, at least in art houses everywhere. The film, which was initially made for BBC television, proved to be a modest hit, bringing in respectable box office and glowing reviews. Beckinsale followed the film’s success with another two years later, starring as an altruistic con artist in the quirky romantic comedy Shooting Fish. The film was an unqualified hit in its native country, becoming the third-highest grossing film in England for 1997. The same year, Beckinsale further increased her visibility with the title role in A&E’s Emma.

She next graced American movie screens in Whit Stillman’s The Last Days of Disco (1998). She received good reviews for her portrayal of a cool and catty WASP college graduate (for which she assumed an American accent), although the movie itself met with a deeply mixed reaction. The following year, Beckinsale, in addition to giving birth to a daughter (fathered by longtime boyfriend Michael Sheen), starred in her first big-budget Hollywood feature. Playing opposite Claire Danes in Brokedown Palace, the actress portrayed an American girl who, while on vacation with best friend Danes in Thailand, gets caught with heroin and is sentenced to 33 years in a Thai prison.

That mid-budgeted film, however, was nothing compared to her next major Hollywood production. After essaying roles in a television production of Alice Through the Looking Glass (1999) and the Merchant/Ivory production of Henry James’ -The Golden Bowl (2000), Beckinsale was plucked from relative obscurity by director Michael Bay for his lavish World War II epic, Pearl Harbor (2001). Boasting a record-setting, nine-digit price tag and one of the most aggressive marketing campaigns ever waged on the American public, the film featured the actress as Evelyn, a plucky nurse torn between the affections of two soldiers.

Though a brief foray into Laurel Canyon found Beckinsale essaying the low-key role of a Harvard graduate gone astray after a taste of the wild side of life, she once again shifted into high gear for the big-budget vampire versus werewolf battle royal Underworld in 2003. Sporting the sort of gothic vinyl duds that had fanboys crooning, Beckinsale raised arms against a brutal breed of lycanthropes and few could argue that she didn’t look good doing it. So good, in fact, that not only a sequel but a prequel followed.

That same year, Beckinsale and Underworld director Len Wiseman wedded. Soon thereafter the starlet was once again doing battle with the undead (opposite X-Man’s Hugh Jackman) in the action horror adventure Van Helsing. At the end of 2004 Beckinsale turned in a solid performance as Ava Gardner in Martin Scorsese’s multiple Oscar winning Howard Hughes biopic The Aviator. While she would be out of theaters in 2005, Beckinsale returned in two very different projects the following year. In addition to starring in another Underworld, Beckinsale portrayed Adam Sandler’s wife in the comedy Click.

Garcelle Beauvais Profile

A rising starlet with a beautiful smile and an impossible figure, it may come as little surprise to those who have seen actress Garcelle Beauvais that the model-turned-actress was voted one of “The Ten Sexiest Women of 2001″ by readers of Black Men Magazine, but take a look beyond the surface and you’ll see that Beauvais has the talents to back up her beauty. A Haitian native and the youngest of seven siblings, Beauvais’ mother relocated to Massachusetts with her children following her divorce from their father. Beauvais’ first years in the U.S. were spent in boarding school while her mother supported the family by attending nursing school. With little knowledge of the English language, the French and Creole-speaking youngster slowly began the process of educating herself by taking in episodes of Sesame Street. Though going from being a member of the social majority in Haiti to being a minority in America, it was the change of climate that proved most jarring to young Beauvais. Roles in numerous school plays fueled a love for performing, and it wasn’t long before the family opted for a more familiar climate in Miami when Beauvais was 16. A subsequent move to New York the following year found the emerging model gaining an increasing presence on the catwalk and numerous Essence and Ebony layouts.

Early television appearances on such popular shows as Miami Vice, Family Matters, and The Fresh Prince of Bel Air found Beauvais refining her skills in front of the camera, and it wasn’t long before she was appearing in such high-profile films as Manhunter (1986) and Coming to America (1988). An ideal role in the Aaron Spelling-produced television series Models Inc. found Beauvais combining both her modeling and acting experience, and after settling into a role in The Jamie Foxx Show in 1996, she would once again hit the big screen with Wild Wild West (1999) and Double Take (2001). Having previously appeared as ADA Valerie Heywood in the popular television police drama NYPD Blue, Beauvais expanded her role by joining the series full-time in 2001. A feature role in Bad Company (2002) opposite Chris Rock found Beauvais’ feature career taking off, and hinted for great things to come in the emerging actress’ future. Jason Buchanan, All Movie Guide