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Mischa Barton Profile

Hailed as one of the most talented child actors of the 1990s, Mischa Barton had carved out the beginnings of an enviable career on the screen and stage by the time most kids her age were being allowed to see PG-13 movies on their own. Possessing blonde hair, blue eyes the color and approximate size of Wedgewood saucers, and precocious intelligence, Barton first came to the attention of critics and audiences as the ten-year-old heroine of John Duigan’s Lawn Dogs (1997), a drama that cast her as an alienated girl whose friendship with an earthy lawn boy (Sam Rockwell) creates controversy in her exclusive neighborhood. Born January 24, 1986, in London, England, Barton was raised in the city until the age of four, when her father took a job on Wall Street that relocated the family to New York. Following the move, she began working as a child model and taking summer camp acting classes; after being spotted by a talent agent, the aspiring actress got her first professional break on the New York stage in 1994, when she played Vodya Domik, one of the lead characters in an off-Broadway production of Tony Kushner’s +Slavs! Earning rave reviews for her performance, Barton went on to perform in a number of plays, including the Lincoln Center production of James Lapine’s +Twelve Dreams and Naomi Wallace’s +One Flea Spare at the New York Shakespeare Festival’s Public Theatre, which cast her in the lead role of a street urchin opposite Dianne Wiest. While she was building a career on the stage and as a model for the likes of Calvin Klein, Barton was also beginning to accumulate a number of screen credits. After doing a year-long stint on the popular soap opera All My Children, she had her first publicized screen role in the little-seen New York Crossing (1996), in which she starred as an Upper East Side schoolgirl opposite Tina Majorino and Karen Black. The film was released in 1997, the same year that Lawn Dogs came out to fairly strong reviews that resulted in the first shades of publicity for Barton. A starring role as a 13-year-old who holds up a bank alongside her boyfriend followed in 1999, in the independent drama Pups; unfortunately, the film was released only two days before the tragic killing spree at Columbine High School, and unsurprisingly, failed to earn much in the way of distribution. That same year, Barton appeared in supporting roles in both Notting Hill and M. Night Shyamalan’s The Sixth Sense, the latter of which cast her as the ghost of a sickly girl.

Barton’s increasing recognition was subsequently reflected by her involvement in a number of screen projects. Included amongst them was Skipped Parts (2000), a coming-of-age comedy which cast her as a sexually precocious 14-year-old who is in a hurry to lose her virginity. The film also starred Jennifer Jason Leigh, Brad Renfro, and Drew Barrymore. Rebecca Flint, All Movie Guide

Drew Barrymore Profile

Heir to a Hollywood dynasty, child star, prepubescent drug and alcohol abuser, teenage sexpot, and resurrected vessel of celluloid purity, Drew Barrymore is nothing if not the embodiment of the rise and fall of Hollywood fortunes, self-reinvention, and the healing powers of good PR.

The granddaughter of John Barrymore and grandniece of Ethel Barrymore and Lionel Barrymore, Barrymore was born in Culver City, California on February 22, 1975. From there, she didn’t waste much time getting in front of the cameras, making her first commercial at nine months and her first television movie, Suddenly Love, at the age of two. Two years later, she made her film debut, appearing as William Hurt’s daughter in Altered States (1980). At the advanced age of seven, Barrymore became a true celebrity, thanks to her role as the cherubic Gertie in Steven Spielberg’s E.T. The Extra-Terrestrial. The huge success of that 1982 film endeared Barrymore to millions of audience members, but following leads in two more films, Irreconcilable Differences and Firestarter (both 1984), the young actress began to succumb to a destructive lifestyle defined by drugs, alcohol, and too much partying. A child expected to behave like an adult, Barrymore began drinking at the age of nine and started taking drugs a short while later.

Unsurprisingly, observers began writing Barrymore off as just another failed child star when she was barely into her teens. She made a string of (largely forgettable) movies, many of which only reinforced her image as a has-been. However, in the middle of her teen years, Barrymore entered rehab, cleaned herself up, and wrote an autobiography, Little Girl Lost, which detailed her travails with drugs and alcohol. In the early 1990s, she entered another phase in her career, gaining notoriety for playing a series of vampy, trampy trailer-park Lolitas. In this capacity, she turned in memorable performances in Poison Ivy (1992), the 1993 made-for-TV The Amy Fisher Story, and Batman Forever (1995), all of which featured her pouting seductively and showing more thigh than all the Rockettes combined. Barrymore’s on-screen antics were ably complemented by the off-screen reputation she was forming at the time: first she could be seen posing nude with then-boyfriend Jamie Walters on the cover of Interview magazine, then modeling for a series of racy Guess ads, flashing David Letterman during an appearance on The Late Show as a “birthday present” to the host, and finally posing nude for Playboy in 1995.

In 1996, Barrymore’s image underwent an abrupt and effective transformation from slut to sweetheart. With a brief but memorable role in Wes Craven’s Scream and a lead in Woody Allen’s Everyone Says I Love You that featured her as a Kelly Girl for the ’90s, Barrymore’s career received an adrenaline shot to the heart. She began working steadily again, and she reshaped her offscreen persona into that of a delightful and sweet-natured girl trying to mend her ways. This new image was supported by her screen work, much of which featured her as a chaste heroine. Her starring role as the “real” Cinderella in Ever After (1998) was a good example, and it had the added advantage of turning out to be a fairly solid hit. Barrymore’s other major 1998 film, The Wedding Singer, was another hit, further enhancing her reputation as America’s new sweetheart. The following year, the actress all but put the final nail in the coffin of her wild-child reputation of years past, starring as the nerdy, lovelorn twenty-something reporter who bears the titular condition of Never Been Kissed. That movie not only marked a notable transition in Barrymore’s reputation, but an advancement in her cinematic career as well. Expanding her role from actress to producer, Barrymore would continue starring in and producing such efforts as Charlie’s Angels (2000), Donnie Darko (2001).

Though some may have suspected that her millenial transition from sweetheart to skull-cracker in Charlie’s Angels may have signalled a shift towards more action oriented roles, Barrymore once again charmed audiences with another emotional comedy, Riding in Cars With Boys in 2001.

Though some may have suspected that her millennial transition from sweetheart to skull-cracker in Charlie’s Angels may have signaled a shift towards more action oriented roles — and despite her return to the role in Charlie’s Angels: Full Throttle (2003) — Barrymore once again charmed audiences with another emotional comedy, Riding in Cars With Boys in 2001, while Confessions of a Dangerous Mind (2002) found Drew in the role of long-suffering girlfriend alongside Sam Rockwell’s unlikely CIA operative. Though the film did not fare particularly well critically or otherwise, Barrymore took a nonetheless interesting turn as an apple-pie wife turned sinister in 2003’s Duplex, and held her own against scene-chomper Ben Stiller. Barrymore teamed up with fellow Stiller-flick alumni Owen Wilson for 2004’s Date School, and once again played Adam Sandler’s sugar sweet girlfriend in director Peter Segal’s romantic comedy Fifty-First Dates.

2005 brought yet another openly fluffy romantic comedy with Fever Pitch, in which she played the straight-girl against Red Sox super-fan Jimmy Fallon, but she soon changed gears, signing on to appear in Lucky You, a gambling drama by Curtis Hanson, director of L.A. Confidential and In Her Shoes. Rebecca Flint, All Movie Guide

Jacinda Barrett Profile

A crossover reality television star who memorably appeared on MTV’s Real World: London before being launched to stardom thanks in part to a People Magazine poll that named her one of the “Fifty Most Beautiful People in the World” two short years later, Jacinda Barrett earned her keep as a model before venturing into the world of film in the 1997 teen screamer Campfire Tales. A native of Queensland, Australia, Barrett appeared in a trio of independent efforts in the years following her Real World appearance, later moving on to television roles in Hercules, Millennium, and Bull before returning to features with a role in the 2000 horror sequel Urban Legends: The Final Cut. While Barrett’s early roles may not have necessarily appeared the ideal training ground for a future in high drama, subsequent performances in such serious-minded efforts as The Human Stain and Ladder 49 showed an actress whose beauty was apparently matched by her talent. A supporting role in the 2004 comedy Bridget Jones: The Edge of Reason was followed by a turn as a French heiress in the 2005 thriller Ripley Under Ground, and soon after taking a tumble in the blockbuster 2006 remake Poseidon, Barrett would once again venture into familiar territory opposite Zach Braff in the romantic comedy drama remake The Last Kiss.

Priscilla Barnes Profile

The daughter of an Air Force career officer, Priscilla Barnes originally dreamed of becoming a dancer–a dream that was dashed when she slipped on the stage of the Hollywood Bowl and broke her leg. Priscilla then took on a series of odd jobs, including a waitress stint at Pips, a private Los Angeles club. There she made the acquaintance of actor Peter Falk who, impressed by Priscilla’s all-American good looks and self-deprecating sense of humor, arranged for her to play a bit role on a 1976 Columbo episode. One thing led to another, and Priscilla found herself co-starring in the short-lived TV Charlie’s Angels rip-off American Girls (1978). She was better-served with a sizeable supporting role opposite Michael Caine in the 1980 theatrical feature Sunday Lovers. In 1981, Priscilla was handed the unenviable task of replacing pin-up phenomenon Suzanne Somers (whom she’d never met) on the popular ABC sitcom Three’s Company. In the light of the well-publicized clashes between Somers and her co-workers, much was made of Priscilla’s cooperative nature and team spirit. She remained in her Three’s Company role of nurse Teri Alden until the series’ cancellation in 1984; she then dived into the Special Guest Star pool, making one-shot appearances on a variety of programs, including the obligatory “mystery killer” gig on Murder She Wrote. One of Priscilla Barnes’ post-Three’s Company assignments was the part of Hildy Granger on the pilot episode of the syndicated sitcom She’s the Sheriff….a part played in the subsequent series by none other than Suzanne Somers!

Ellen Barkin Profile

Ellen Barkin is one of the most respected, versatile actresses on the screen; she is equally at home playing supporting roles, character roles, and leads — even as true stardom eluded her. Prior to becoming an actress, Barkin attended the renowned High School for the Performing Arts in New York, studied history and Drama at Hunter College, and attended workshops at The Actors Studio. Barkin debuted on-stage in 1980’s +Irish Coffee and continued her theater work while appearing the following year in the soap opera Search for Tomorrow. She had roles in various TV movies before making her critically acclaimed film debut as the neglected wife of an obsessive record collector in Barry Levinson’s Diner (1982), and subsequently went on to play supporting roles ranging from unhappy wives to white-hot sexpots to a small but vital part as Robert Duvall’s troubled daughter in Tender Mercies (1983). Following her appearance in the romantic thriller The Big Easy in 1987, Barkin gained a small but devoted following. While filming the experimental supernatural thriller Siesta (1987), she met her husband, Irish actor Gabriel Byrne, with whom she had two children. (The couple divorced in 1993.) Remaining involved with The Actors Studio when not working, Barkin worked steadily during the late ’80s and throughout the ’90s — most notably in Sea of Love (1989) — and appeared (with Oprah Winfrey) in 1997’s Before Women Had Wings, her first TV movie in 13 years.

Elizabeth Banks Biography

Possessing the kind of elegant screen beauty that often draws comparisons to a Breakfast at Tiffany’s-era Audrey Hepburn, actress Elizabeth Banks’ onscreen career has been steadily rising since the up-and-coming actress won the Young Hollywood Award for “Exciting New Face” back in 2003. With roles in such notable Hollywood hits as the Spider-Man films and Seabiscuit, Banks has not only had the pleasure of sharing the screen with hot-property actor Tobey Maguire multiple times, but has also been nominated — alongside Maguire, Jeff Bridges, William H. Macy, and Gary Stevens — for an “Outstanding Performance by a Cast in a Motion Picture” award by the Screen Actors Guild for her performance in the latter. The Pittsfield, MA, native got her first taste of fame when nominated Harvest Queen in her hometown’s annual fall celebration, and in the years that followed, Banks would receive her bachelor’s degree from the University of Pennsylvania and go on to pursue her graduate degree at the American Conservatory Theater.

In 1998, Banks made her feature debut in the controversial addiction drama Surrender Dorothy, with subsequent small-screen roles in Third Watch and Sex and the City only serving to contribute to her rapidly growing profile in film and television. Of course, a move from New York to Los Angeles also may have had something to due with her landing more film roles, and though she would appear under her real name, Elizabeth Mitchell, in the 2000 action thriller Shaft, she soon had to change her name to avoid conflict with another actress who had already established a career under that surname. Undaunted, Banks forged on with roles in the cult comedy Wet Hot American Summer and the romantic drama Ordinary Sinner in 2001, with a supporting performance as Betty Brant in the 2002 box-office smash Spider-Man providing her most substantial onscreen performance to date. With roles opposite Madonna in Swept Away and Leonardo DiCaprio in Catch Me If You Can, it was obvious that Banks’ career was on the rise, but it was her winning performance in Seabiscuit that truly put her on the map. Though the Screen Actors Guild award that the she and the cast were nominated for would ultimately go to the cast of The Lord of the Rings: The Return of the King, it was obvious to all who had been following her career that Banks was only at the beginning of her Hollywood ascent. In 2003, Banks appeared in the drama The Trade before reprising her role as Betty Brant for Spider-Man 2, and with increasingly prominent roles in Heights, The Sisters, and The Baxter scheduled through 2005, audiences could rest assured that they would be seeing plenty more of Banks in the years to come.

By the time Banks turned in a standout supporting role as a bookstore employee who may hold the means of solving The 40 Year Old Virgin’s titular dilemma in the 2005 Steve Carell hit, it seemed that she was an actress capable of brightening most any screen. A substantial role as a small-town trophy wife in director James Gunn’s comic-frightener Slither found Banks having noticable fun in front of the cameras, with a pair of appearances on the popular television medical comedy Scrubs preceding a more serious-minded turn in the inspirational 2006 sports drama Invincible.

Elena Anaya Profile

For many of those who realize their calling in life at an early age, the world is wide open with success and opportunity at every turn. When Spanish actress Elena Anaya felt that her talents gravitated toward a life on the stage and screen, the aspiring young actress spared precious little time in getting herself prepared for life in the limelight — a fact that no doubt played a part in her being named one of European Films’ Shooting Stars during the 2004 European Film Promotion campaign. A relatively new face to stateside audiences at the time of her international debut in 2004’s Van Helsing, Anaya was soon climbing the latter to international success with subsequent roles opposite such screen heavies as Gary Oldman (Dead Fish) and Viggo Mortensen (Alatriste).

A native of Palencia, Spain, whose early childhood was spent practicing karate at the Okinawa Gymnasium and climbing mountains, Anaya opted out of Cadiz School in 1996 — choosing instead to join the Real Escuela Superior de Arte Dramico de Madrid and study under actor Manuel . Following her feature debut in the 1996 drama rica, Anaya continued to impress with supporting roles in such features as Black Tears and Wiped-Out Footprints. A turn opposite handsome Spanish leading man Eduardo Noriega in the 2000 romantic drama El Invierno de las Anajanas showed great promise for the burgeoning actress, with a role in the erotic arthouse drama Sex and Lucia earning her a Goya nomination for Best Supporting Actress. As her profile continued to increase thanks to roles in such features as The Blue Room and Pedro Almadar’s Talk to Her, it seemed only a matter of time before Anaya’s popularity went international. Though her role as Dracula’s most possessive bride in 2004’s Van Helsing may have offered her little chance to shine amongst the massive CG-overload, audiences could rest assured that they would be seeing plenty more of the Spanish beauty when it was announced that she would be appearing in both the 2004 action comedy Dead Fish and the 2005 period adventure Alatriste. Jason Buchanan, All Movie Guide

Pamela Anderson Profile

Bleached blonde, buxom, but slender bombshell Pamela Anderson stands out in any crowd as one of the sex symbols of the mid-’90s. Known first as a spokesmodel for Labatt beer, then as one of Playboy magazine’s most popular models, Anderson gained international recognition after she was cast as C.J., the sweet but tough lifeguard in the impossibly tight red bathing suit in the phenomenally popular syndicated television series Baywatch. Her popularity has led to several film roles, notably that of the black leather bustier-wearing title heroine in the comic-book actioner Barb Wire (1996). The role was appropriate, for there is something indeed cartoonish about Anderson, who had enhanced her petite frame with big hairdos, surgically inflated lips, and silicon breast implants (since removed).

Anderson made a splash on the day she was born, as she was the first centennial baby in her region of Vancouver Island, British Columbia. She first attracted media notice in 1989, when a roving camera caught a glimpse of her during a professional football game in Vancouver. The picture of the cheering Anderson, who was wearing a Labatt’s tee shirt at the time, was simultaneously shown on the arena’s Jumbotron screen. Though her body was, surgically speaking, still in its original condition, her attributes and beauty were enough to cause a sensation. Labatt’s executives remembered the crowd’s positive reaction and hired her to become the brewery’s spokeswoman. She attracted the attention of Playboy and was hired to do a photo layout. She has since gone on to appear on the magazine’s cover an unprecedented five times. Once in Hollywood, she changed her appearance and soon found work guest starring on television shows. Her first recurring role was on the ABC sitcom Home Improvement where she played Lisa, the Tool Time Girl. Anderson made her film debut playing a cheerleader in the low-budget actioner The Taking of Beverly Hills (1992). She has also appeared in a few television movies, including Come Die With Me: A Mickey Spillane’s Mike Hammer Mystery (1994). Although an attempt to translate her small-screen success to the silver screen in the comic-book Casablanca adaptation Barb Wire proved unsuccessful to say the least, Anderson continued to thrill television audiences in Baywatch and stirred up much controversy when an extremely intimate honeymoon video of herself and then-husband Tommy Lee began making the rounds in 1998. Though the couple parted ways that same year in a highly publicized divorce case, Anderson went on to marry another bad boy, Detroit musician Kid Rock after returning to television as a sexy secret agent on the series V.I.P. .

Anderson shocked her fan base in early 2002 when she announced that she had contracted the Hepatitis C virus, but this wouldn’t kept he bombshell down. She provided the voice for the sexy tongue-in-cheek star of the Spike TV animated series Striperella and made appearances on shows like Less Than Perfect and 8 Simple Rules for Dating My Teenage Daughter. In 2006, she appeared in Sacha Baron Cohen’s mockumentary Borat. Sandra Brennan, All Movie Guide

Jennifer Aniston Profile

Jennifer Aniston makes a good case for proving that acting talent can be absorbed by osmosis. From her father John Aniston’s stardom on Days of Our Lives to her godfather Telly Savalas, the actress was surrounded by plenty of inspiration from an early age. As Aniston attended the Rudolph Steiner School as a child, she was interested in many forms of art and proved to be a talented painter, eventually having one of her pieces displayed at the New York Metropolitan Museum of Art. Acting also appealed to her, and became her primary focus after graduating from New York’s prestigious High School for the Performing Arts in 1987. She took roles in off-Broadway productions such as +For Dear Life and +Dancing on Checker’s Grave before she began honing her skills in television acting with appearances on shows like Quantum Leap and Herman’s Head. Before long, Aniston’s film and television resum?had grown into a laundry list of one-time appearances, short-lived series, and B-level movies. By 1994, the handful of bit parts and failed shows on Aniston’s resum?had established her as a working actress but created little foreshadowing about her future as a star. Her upcoming audition for the role of Monica Gellar in a pilot for a sitcom at that point titled “Friends Like These,” however, would prove to be quite auspicious. The role in question would eventually be filled by Courteney Cox Arquette, as Aniston changed her mind and opted to try out for Rachel Green, a young suburbanite living on her own for the first time and working as a coffee-shop waitress in New York City. The rest, as they say, is history — “Friends Like These” would become Friends, the hugest sitcom in years, quickly making Aniston America’s sweetheart. Friends’ obsessive following churned up a particular interest in Aniston’s signature hairstyle. The shag cut known as “The Rachel” could be seen on heads all over the country. Even as the fad fell out of popularity in the salons, Aniston’s star continued to rise. Still adored on one of the most popular television shows in history, she moved to the big screen in romantic comedies like She’s the One (1996), Picture Perfect, ‘Til There Was You (1997), and The Object of My Affection (1998).

In the late ’90s, she also began dating actor Brad Pitt. Talk of Pitt’s recently ended engagement to actress Gwyneth Paltrow quickly dissipated as “Gwen and Brad” turned to “Jen and Brad.” The two young stars became the ultimate Hollywood power couple and celebrated with a star-studded wedding in July of 2000. The new millennium found Aniston at the top of her game. Raking in a million dollars an episode for her role on the still popular Friends and married to one of the hottest men in Hollywood, she seemed to have it all. Secure in her A-List position, she took the opportunity to work on low-profile films and cult hits, such as 1999’s Office Space, and 2000’s Rock Star. Aniston’s talent for dramatic roles was finally given a proper outlet when she played the lead in 2002’s The Good Girl, which found critics surprised and impressed with her range. She made no attempt to shy away from comedy, however, starring alongside Jim Carrey in Bruce Almighty, and Ben Stiller in 2004’s Along Came Polly. In 2004, as Friends began what would be its final season, Aniston’s immediate future was filled with tremendous turmoil and change. Only a week into 2005, she and husband Brad Pitt legally separated, surrounded by rumors that Pitt had sparked a serious romantic connection with his Mr. and Mrs. Smith co-star Angelina Jolie. The media leapt onto the story, desperate to sate the public’s curiosity about how such a seemingly perfect union could come to an end. Rumors swilled about the circumstances of their break-up, citing everything from disagreements over children to taste in interior decorating. Aniston’s steady poise and willowy figure created a division in the public perception between herself and the more curvaceous and risqu?Jolie.

Media frenzy buzzed around the breakup long after she and Pitt officially filed for divorce in March. Vendors even started selling T-shirts reading “Team Aniston” and “Team Jolie,” though most of the public seemed to side with the slighted Aniston. The actress plowed ahead, however, marking 2005 by starring with Clive Owen in the gritty thriller Derailed and with Shirley MacLaine and Kevin Costner in the comedy Rumor Has It…. 2006 brought the ensemble film Friends With Money, as well as another movie that would help put her divorce in the past…in more ways then one. While Pitt made headlines by becoming legal guardian of Jolie’s adopted children and father to a baby Jolie gave birth to in Namibia, Aniston starred alongside comedy and character actor extraordinaire Vince Vaughn in The Break-Up. The comedy cast the two as an ex-couple going to war over which of them should keep their beloved condo, but the real life connection between the actors was quite the opposite. Though reluctant to speak about their relationship publicly, Aniston and Vaughn appeared quite clearly to have become a couple, bolstering the success of The Break-Up and pleasing fans who were relieved to see her happy. Cammila Albertson, All Movie Guide

Gabrielle Anwar Profile

Though most audiences will likely remember getting their first glimpse of the lovely Gabrielle Anwar when she took the dance floor as Al Pacino’s tango partner from 1992’s Scent of a Woman, she had previously appeared in numerous British miniseries’ since the late ’80s. Breaking into American cinema opposite Richard Grieco in the 1991 teen spy comedy If Looks Could Kill, Anwar soon found herself climbing the credits list after her charm and skillful footwork left audience hungering for more. Born in the daughter of an Persian film producer and a British actress in Laleham, Middlesex, England, in February of 1970, ruffian Anwar was kicked out of school for fighting in her early years, though she later opted to study drama and dance in London. Anwar made her television debut in Jim Henson’s The Storyteller (1987), followed by her film debut in 1988’s Manifesto, and after appearing in such British miniseries as Summer’s Lease, First Born, and Press Gang (all in 1989), it was time to cross the pond with mate Craig Sheffer and make her bid for Hollywood. Following her eye-catching turn in Scent of a Woman, the fledgling starlet faced an unearthly horror in Abel Ferrara’s Body Snatchers, romanced Michael J. Fox in For Love or Money (both 1993), and appeared opposite Andy Garcia in Things to Do in Denver When You’re Dead (1995). Though it certainly seemed as if Anwar’s career was headed in the right direction, a series of low-budget efforts in the late ’90s, as well as a rumor that she had lost the lead role in Titanic to Kate Winslet, seemed to stall her rise to stardom. Taking a cue from her early years, Anwar turned toward television. She gained positive notice for her role as Fidel Castro’s secret lover in the 1999 made-for-television feature My Little Assassin, and a few short years later she appeared in the short lived sci-fi mystery series John Doe. Still appearing frequently in features, the woman voted as one of the 50 most beautiful people in the world by People Magazine (in 1993) could be spotted in such efforts as Save it for Later and Mob Dot Com in 2003.